At a glance
- Artist
- Fugazi
- Released
- September 1989
- Label
- Dischord Records
- Catalogue number
- DISCHORD 36
- Format
- CD
- Country
- US
- Tracks
- 13, 40:18
In the issue
A compilation of Fugazi's first two EPs, released in 1989, now generally considered the record that established post-hardcore as its own genre even though it was marketed as a compilation rather than an album. It showcased the interlocking guitar work between MacKaye and Picciotto — chunky low-end chords against scratchy Rickenbacker bite, tension built from unexpected voicings instead of volume.
How it was made
Fugazi's first two EPs—Fugazi (1988) and Margin Walker (1989)—were compiled into 13 Songs, which effectively served as the band's debut album despite being marketed as a compilation. Both EPs were recorded at Inner Ear with Don Zientara and Ted Niceley, who captured space and air unusual for hardcore at the time. The band worked collaboratively—all four members contributed to arrangements, cycling songs through rehearsal until they locked. Then they tracked. 'Waiting Room' opened with a reggae-influenced bass line before detonating into full-bore attack. 'Margin Walker' wove two guitar lines into a single knotted riff. These tracks established the approach: hardcore's intensity, post-punk's architecture. The compilation format gave listeners more music for their money—a Fugazi concern—and presented a fuller picture of the early sound. 13 Songs became the entry point for most fans. It positioned the band as something rare: hardcore's conviction, art rock's appetite for structure, willing to challenge punk orthodoxy and indie rock passivity alike.
Listen
Track list
- 1Waiting Room2:55
- 2Bulldog Front2:54
- 3Bad Mouth2:36
- 4Burning2:40
- 5Give Me the Cure2:59
- 6Suggestion4:45
- 7Glue Man4:21
- 8Margin Walker2:30
- 9And the Same3:27
- 10Burning Too2:42
- 11Provisional2:17
- 12Lockdown2:11
- 13Promises4:02
The label
Founded with roughly $600 in Teen Idles earnings, Dischord released the scene's foundational records, starting with the hand-assembled Minor Disturbance EP and continuing through Minor Threat, Flex Your Head, and Fugazi's catalog. Its DIY methods, cheap ticket and record prices, and refusal to sign with major labels set the ethical template that DC hardcore and its later offshoots operated by.
More by Fugazi in the issues
- Repeater1990
- In on the Kill Taker1993
- The Argument2001