Death Metal (Tampa Bay)
How a Florida recording studio and a handful of bands birthed the most extreme sound in heavy metal
- The Virgin Mary Effigies
- The Album That Almost Wasn't
- The Shelved Masterpiece
In this issue
- 01Chapter 1The Scene2 min
- 02Chapter 2Key PlayersMembers
- 03Chapter 3Defining the SoundMembers
- 04Chapter 4StoriesMembers
- 05Chapter 5Legacy and InfluenceMembers
- 06The long readWhere's Chuck?Members
- 07The castWho was thereMembers
- 08Family treeWho played with whomMembers
- 09In their own wordsHear them tell itMembers
- 10Essential recordsThe records that made itMembers
- 11The labelsWho put it on recordMembers
- 12Chronology1981 to 2025Members
- 13StoriesThe stories behind itMembers
- 14PlacesWhere it happenedMembers
- 15ConnectionsWhere it ledMembers
- 16Go furtherRead and watch nextMembers
The Scene
Chuck Schuldiner formed Mantas in Altamonte Springs in 1983. Same year, Trey Azagthoth founded Morbid Angel in Charlotte before moving to Tampa. They weren't responding to anything—no thrash scene to reference, no punk lineage to draw from. Just garages in Central Florida, working in isolation.
The infrastructure came first. Jim and Tom Morris opened Morrisound Recording in 1981 at 12111 N. 56th St. in Temple Terrace, a Tampa suburb. Early clients included Savatage, a progressive metal band. Nothing about the studio screamed “extreme music.” But the Morris brothers understood drum triggering and PC electronics when most engineers thought speed metal was technically impossible to capture. They spent hours getting drum sounds heavy enough to cut through distorted guitars. Scott Burns joined mid-1980s and found most thrash productions “sounded like shit.” Nobody gave death metal bands proper recording technique. He learned through trial and error, developing methods for blast beats and tremolo picking.
Read the rest of this issue, and every other one.
The full essay, the cast (Death, Morbid Angel, Obituary and more), the records, the chronology and the stories. About 14 minutes of reading, with the music a click away.
Start your 7-day free trialThen $5 a month. Cancel any time.10 albums, and the stories behind them
- 1Scream Bloody Gore
Widely regarded as the first true death metal album, establishing the genre's template of guttural vocals and horror-movie violence.
- 2Altars of Madness
Reset expectations for how extreme and technically demanding metal could be, defining the scene's technical arms race.
- 3Slowly We Rot
Offers a direct counterpoint to the technical arms race, showing the scene's doom-inflected, groove-first alternative.
- Scream Bloody Gore
- Altars of Madness
- Slowly We Rot
- Cause of Death
- Blessed Are the Sick
- Human
