SongsheetsNo. 0441968-present
The genre · Mali, Algeria, Niger, Libya (Sahara/Sahel region)

Mali Desert Blues

How exiled Tuareg guitarists and a stubborn Songhai bandleader turned the Sahara into one of the great engines of modern guitar music

Inside
  • The Oil Can and the Bicycle Wire
  • A Military Camp That Ran a Free Recording Studio
  • Found in a Paris Record Pile
19 minute read

In this issue

  1. 01Chapter 1The Scene1 min
  2. 02Chapter 2Key PlayersMembers
  3. 03Chapter 3Defining the SoundMembers
  4. 04Chapter 4StoriesMembers
  5. 05Chapter 5Legacy and InfluenceMembers
  6. 06The castWho was thereMembers
  7. 07In their own wordsHear them tell itMembers
  8. 08Essential recordsThe records that made itMembers
  9. 09The labelsWho put it on recordMembers
  10. 10Chronology1939 to 2013Members
  11. 11StoriesThe stories behind itMembers
  12. 12PlacesWhere it happenedMembers
  13. 13ConnectionsWhere it ledMembers
Chapter 1

The Scene

The story usually starts with Tinariwen and a tin-can guitar, but the real root goes deeper, to a boy on the banks of the Niger River who was forbidden to touch an instrument at all. Ali Farka Touré was born in 1939 in Kanau, in the Tombouctou region, into a noble Songhai family for whom music was the work of a lower caste, the griot. He built a monochord from a tin can anyway and played it in secret. In 1956 he saw the national ballet of Guinea, and its guitarist made him determined to learn the instrument. By the 1960s he was traveling to national talent competitions that threw Bambara, Tuareg, Fula and Songhai musicians together, absorbing all of it, singing eventually in seven languages.

In 1968 he traveled to Sofia, Bulgaria, to represent Mali at an international festival and bought his first guitar there. That same year he first heard the records of John Lee Hooker. His reaction is still quoted: 'I said, I don't understand this, where did they come up with this culture? This is something that belongs to us.'

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The full essay, the cast (Ali Farka Touré, Tinariwen, Ibrahim Ag Alhabib and more), the records, the chronology and the stories. About 19 minutes of reading, with the music a click away.

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Essential records

10 albums, and the stories behind them

Start here
  1. 1
    Talking Timbuktu
    Ali Farka Touré with Ry Cooder · 1994

    Touré with Ry Cooder, the Grammy winner most Western listeners met him through, and the case he spent years arguing: that the blues began in the Sahel.

  2. 2
    Aman Iman: Water Is Life
    Tinariwen · 2007

    The record that took Tinariwen past world-music fans to rock audiences. Start with "Cler Achel."

  3. 3
    In the Heart of the Moon
    Ali Farka Touré with Toumani Diabaté · 2005

    Guitar and kora in conversation: Touré and Toumani Diabaté, recorded near the end of Touré's life.

  • Ali Farka Touré ("the red album") sleeve
    Ali Farka Touré · 1984
    Ali Farka Touré ("the red album")
  • The River sleeve
    Ali Farka Touré · 1990
    The River
  • Talking Timbuktu sleeve
    Ali Farka Touré with Ry Cooder · 1994
    Talking Timbuktu
  • Niafunké sleeve
    Ali Farka Touré · 1999
    Niafunké
  • In the Heart of the Moon sleeve
    Ali Farka Touré with Toumani Diabaté · 2005
    In the Heart of the Moon
  • The Radio Tisdas Sessions sleeve
    Tinariwen · 2001
    The Radio Tisdas Sessions

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