Mali Desert Blues
How exiled Tuareg guitarists and a stubborn Songhai bandleader turned the Sahara into one of the great engines of modern guitar music
- The Oil Can and the Bicycle Wire
- A Military Camp That Ran a Free Recording Studio
- Found in a Paris Record Pile
In this issue
- 01Chapter 1The Scene1 min
- 02Chapter 2Key PlayersMembers
- 03Chapter 3Defining the SoundMembers
- 04Chapter 4StoriesMembers
- 05Chapter 5Legacy and InfluenceMembers
- 06The castWho was thereMembers
- 07In their own wordsHear them tell itMembers
- 08Essential recordsThe records that made itMembers
- 09The labelsWho put it on recordMembers
- 10Chronology1939 to 2013Members
- 11StoriesThe stories behind itMembers
- 12PlacesWhere it happenedMembers
- 13ConnectionsWhere it ledMembers
The Scene
The story usually starts with Tinariwen and a tin-can guitar, but the real root goes deeper, to a boy on the banks of the Niger River who was forbidden to touch an instrument at all. Ali Farka Touré was born in 1939 in Kanau, in the Tombouctou region, into a noble Songhai family for whom music was the work of a lower caste, the griot. He built a monochord from a tin can anyway and played it in secret. In 1956 he saw the national ballet of Guinea, and its guitarist made him determined to learn the instrument. By the 1960s he was traveling to national talent competitions that threw Bambara, Tuareg, Fula and Songhai musicians together, absorbing all of it, singing eventually in seven languages.
In 1968 he traveled to Sofia, Bulgaria, to represent Mali at an international festival and bought his first guitar there. That same year he first heard the records of John Lee Hooker. His reaction is still quoted: 'I said, I don't understand this, where did they come up with this culture? This is something that belongs to us.'
Read the rest of this issue, and every other one.
The full essay, the cast (Ali Farka Touré, Tinariwen, Ibrahim Ag Alhabib and more), the records, the chronology and the stories. About 19 minutes of reading, with the music a click away.
Start your 7-day free trialThen $5 a month. Cancel any time.10 albums, and the stories behind them
- 1Talking Timbuktu
Touré with Ry Cooder, the Grammy winner most Western listeners met him through, and the case he spent years arguing: that the blues began in the Sahel.
- 2Aman Iman: Water Is Life
The record that took Tinariwen past world-music fans to rock audiences. Start with "Cler Achel."
- 3In the Heart of the Moon
Guitar and kora in conversation: Touré and Toumani Diabaté, recorded near the end of Touré's life.
- Ali Farka Touré ("the red album")
- The River
- Talking Timbuktu
- Niafunké
- In the Heart of the Moon
- The Radio Tisdas Sessions
