SongsheetsNo. 0401977-1989
The genre · Chicago, Illinois, USA

Chicago House

How DJs armed with drum machines and disco edits invented a new music in the ruins of post-industrial Chicago

Inside
  • The Stolen Megamix That Became 'On and On'
  • Ron Hardy's Live Reel-to-Reel Edits
  • How the TB-303 Became Acid House
11 minute read

In this issue

  1. 01Chapter 1The Scene2 min
  2. 02Chapter 2Key PlayersMembers
  3. 03Chapter 3Defining the SoundMembers
  4. 04Chapter 4StoriesMembers
  5. 05Chapter 5Legacy and InfluenceMembers
  6. 06The castWho was thereMembers
  7. 07In their own wordsHear them tell itMembers
  8. 08Essential recordsThe records that made itMembers
  9. 09The labelsWho put it on recordMembers
  10. 10The gearWhat made the soundMembers
  11. 11Chronology1974 to 1987Members
  12. 12StoriesThe stories behind itMembers
  13. 13PlacesWhere it happenedMembers
  14. 14ConnectionsWhere it ledMembers
Chapter 1

The Scene

The Warehouse opened in 1977 on Jefferson Street, in a west side industrial zone where the manufacturing jobs had already started bleeding out. Robert Williams brought Frankie Knuckles from New York to DJ there. Knuckles had turned down the same offer a year earlier, but came back after his friend Larry Levan, working the booth at the Continental Baths alongside him, passed on the gig himself. Knuckles later recalled that by then he'd already put five years into one New York club that went bankrupt, and if he was going to commit to another one, he wanted a stake in what was going on, not just a job. The Warehouse was a juice bar, not licensed for alcohol.

It ran Saturday nights into Sunday mornings, drawing crowds that peaked around 2,000 people: Black, Latino, mostly gay, mostly young. Chicago was a growing city, but its nightlife attitude was small-town. The North Side bars catered to a predominantly white gay audience and operated restricted door policies, 1% Black if you were lucky, as Knuckles recalled in 2011. The one Black gay bar operating at a commercial level was Our Den, later renamed Den One, on North Avenue in Old Town, a neighborhood that had been a hippie hangout and a red light district before it was anything else. DJ Charles Perkins put it plainly: 'Den One was it. That was the black bar in Chicago.'

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Read the rest of this issue, and every other one.

The full essay, the cast (Frankie Knuckles, Ron Hardy, Jesse Saunders and more), the records, the chronology and the stories. About 11 minutes of reading, with the music a click away.

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Essential records

9 albums, and the stories behind them

Start here
  1. 1
    Jesse Saunders · 1984

    It's widely considered the first original Chicago house track and set the template the genre would run on for years.

  2. 2
    Jamie Principle & Frankie Knuckles · 1987

    It shows how a bedroom recording with no studio became an anthem through a year of repeated club play.

  3. 3
    Marshall Jefferson · 1986

    It's the track that pulled house out of the underground and toward mainstream ears, earning its nickname.

All 9 records in order: where to start

  • Acid Tracks (12-inch) sleeve
    Phuture · 1987
    Acid Tracks (12-inch)
  • Move Your Body (The House Music Anthem) (12-inch) sleeve
    Marshall Jefferson · 1986
    Move Your Body (The House Music Anthem) (12-inch)
  • No Way Back (12-inch) sleeve
    Adonis · 1986
    No Way Back (12-inch)
  • Beyond the Mix sleeve
    Frankie Knuckles · 1991
    Beyond the Mix

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