Chicago House
How DJs armed with drum machines and disco edits invented a new music in the ruins of post-industrial Chicago
- The Stolen Megamix That Became 'On and On'
- Ron Hardy's Live Reel-to-Reel Edits
- How the TB-303 Became Acid House
In this issue
- 01Chapter 1The Scene2 min
- 02Chapter 2Key PlayersMembers
- 03Chapter 3Defining the SoundMembers
- 04Chapter 4StoriesMembers
- 05Chapter 5Legacy and InfluenceMembers
- 06The castWho was thereMembers
- 07In their own wordsHear them tell itMembers
- 08Essential recordsThe records that made itMembers
- 09The labelsWho put it on recordMembers
- 10The gearWhat made the soundMembers
- 11Chronology1974 to 1987Members
- 12StoriesThe stories behind itMembers
- 13PlacesWhere it happenedMembers
- 14ConnectionsWhere it ledMembers
The Scene
The Warehouse opened in 1977 on Jefferson Street, in a west side industrial zone where the manufacturing jobs had already started bleeding out. Robert Williams brought Frankie Knuckles from New York to DJ there. Knuckles had turned down the same offer a year earlier, but came back after his friend Larry Levan, working the booth at the Continental Baths alongside him, passed on the gig himself. Knuckles later recalled that by then he'd already put five years into one New York club that went bankrupt, and if he was going to commit to another one, he wanted a stake in what was going on, not just a job. The Warehouse was a juice bar, not licensed for alcohol.
It ran Saturday nights into Sunday mornings, drawing crowds that peaked around 2,000 people: Black, Latino, mostly gay, mostly young. Chicago was a growing city, but its nightlife attitude was small-town. The North Side bars catered to a predominantly white gay audience and operated restricted door policies, 1% Black if you were lucky, as Knuckles recalled in 2011. The one Black gay bar operating at a commercial level was Our Den, later renamed Den One, on North Avenue in Old Town, a neighborhood that had been a hippie hangout and a red light district before it was anything else. DJ Charles Perkins put it plainly: 'Den One was it. That was the black bar in Chicago.'
Read the rest of this issue, and every other one.
The full essay, the cast (Frankie Knuckles, Ron Hardy, Jesse Saunders and more), the records, the chronology and the stories. About 11 minutes of reading, with the music a click away.
Start your 7-day free trialThen $5 a month. Cancel any time.9 albums, and the stories behind them
- 1
It's widely considered the first original Chicago house track and set the template the genre would run on for years.
- 2
It shows how a bedroom recording with no studio became an anthem through a year of repeated club play.
- 3
It's the track that pulled house out of the underground and toward mainstream ears, earning its nickname.
- Acid Tracks (12-inch)
- Move Your Body (The House Music Anthem) (12-inch)
- No Way Back (12-inch)
- Beyond the Mix
